CHÂU was raised on a strange musical diet of Vietnamese classical ballads and post-war interpretations of rock and disco. In this experimental wave of the 70s-90s, artists would blend electric guitars with 16-string zithers — nailing power chords while singing of famine and heartbreak and the endless mountains, in regional dialects.
When he isn’t running amok or behind the decks, CHÂU is the ears behind the Wonky Queenslander, and annoys Love Camp by hiding their cushions.
CHÂU was raised on a strange musical diet of Vietnamese classical ballads and post-war interpretations of rock and disco. In this experimental wave of the 70s-90s, artists would blend electric guitars with 16-string zithers — nailing power chords while singing of famine and heartbreak and the endless mountains, in regional dialects.
When he isn’t running amok or behind the decks, CHÂU is the ears behind the Wonky Queenslander, and annoys Love Camp by hiding their cushions.